Tuesday, August 26, 2014

He seemed to have forgotten art van the existence of every time accelerators, which have long been


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Already in the second time Christian Tieleman and led them Saxon Staatskapelle hosted on organized in 1967 for the presentation of Karajan Berlin art van Philharmonic Easter Festival in Salzburg.
A skilled chef (from season art van 2012/13) Dresden musicians art van appeared at the right time in the right place: I heard that Simon Rattle "leads" his orchestra at Easter in Baden-Baden, and being in the last disciple and assistant Karajan, offered himself and his team in fact one of the most respected and oldest in Europe (organized in 1548 by Elector Moritz of Saxony), as residents of the Easter Festival. Frustrated by the Berlin Philharmonic care management Tileman Easter offer, backed okay tailored program for 2013, it seemed tempting, and the contract was signed.
Again Thielemann lucky enough to be an expert on the music of Wagner and Richard Strauss, to continue the tradition of Karajan play the Easter Festival of Wagner, whose jubilee year coincided with the year of the inauguration of the maestro in Salzburg. art van Last year the festival was presented the premiere of "Parsifal." And in 2014 found even more compelling "bridge" between Salzburg and Dresden. This is Richard Strauss - one of the most important "pioneers" of the Salzburg festival movement and, at the same time, the good genius art van Zemperovskoy Opera orchestra which he entrusted the first performance of nine of his fifteen operas (among them "Der Rosenkavalier", "Salome", "Elektra", " Arabella, "" The Egyptian Helen "," Daphne ").
In the year of the 150th anniversary of the birth of German composer Dresden Opera spends a lot of activities dedicated to Strauss. And the brightest "exit" action was actually Easter Festival in Salzburg.
Karajan never connected this forum, coupled with the Easter holidays, with the execution of any mandatory art van religious works, art van on the contrary, did the installation on secular activities, realizing that music fans flock to Salzburg from different parts of the world in their holidays, the least I want to get in the church atmosphere. Nevertheless, such works as the two "Requiem" - Mozart and Verdi, or theatrical art van "St. Matthew Passion" is regularly heard on the Easter Festival.
Solos performed by German bass Georg Tseppenfeld, Israeli soprano Hyun Reiss, Australian art van tenor Steve Davislim German singer and alto Christa Meyer. The concert was conducted himself Tieleman, not a great expert in the music of Mozart, and in general it rarely plays. His certainly excited solemnity of the moment of execution funeral opus Mozart homeland composer, in memory of a beloved teacher and his wife in the presence art van of genius Eletty von Karajan, with whom Christian Tieleman friends houses.
He seemed to have forgotten art van the existence of every time accelerators, which have long been customary to include when you're dealing with Mozart. Conducted in the old slow. Was at the height of the Bavarian Radio Choir, art van his background singers sounded art van even more lightly - especially the tenor and soprano, having exquisite sonorous voice, rushing in bel canto operas. Only an experienced Tseppenfeld George, who took the grand tuba mirum , forced art van himself to listen and to delve into the contents. Rome - one of Mozart and Strauss
"Requiem" concert was completed, and in the first part of the work were made by Richard Strauss and Wolfgang Rihm for small orchestra - Ernster Gesang fuer Orchester ( Serious singing for Orchestra") and Rome "Matamorfozy for 23 Strings" by Strauss. Rome was in this combination is not accidental, since it is in the season 2013/14 in Dresden "composer in residence" as the closest to the ideas of Richard Strauss acting maestro. The result art van of such a triumvirate: Mozart-Strauss Rome.
To understand what a "serious singing for Orchestra", imagine a kind of sluggish construction after the great destructive war, when there are all sorts of ideas to create a minimalist miracles, but their implementation is not enough money and courage, and exhausted people inertia erecting palaces of improvised materials like concrete.
Tieleman yet not really studied all the instrumental resources of his orchestra, so both opus sounded a bit dry, but at this concert, it became clear that the new acquisition of Saxon chapel in the form of the first violin Yuki Manuela Janke

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