Cledson Bauhaus:

The above sentence is the renowned artist Wassily Kandinsky, one of which shaped the call Bauhaus school of avant-garde German and who bequeathed part of the contemporary aesthetic thought. kids beds What relationship does the above sentence and the art of our interviewee? Besides the tribute to his pseudonym, Cledson Bauhaus exudes music of his drawings and paintings. His work, full of sinuous lines leading to the figure orderly chaos explosive invites us to experience rapid changes in sensations, such as from a low tone and soft high notes at a frenetic pace. Music for the eyes!
Cledson Bauhaus: It has been a daily challenge, something new in my world. I've always been more influenced by comic books, animation and video games. With age and academic background (Media), came to literature and cinema. I learned to let life add new references, instead kids beds of being enclosed in a nerdy little world and limited.
Working with children's illustration, technically speaking, is the same thing from other languages. There is the same work and dedication to the techniques of drawing and painting. What changes do you need to actually illustrate the text, working in tune with the narrative, providing a visual reading (sometimes suggestive) what is the history of the book. This art does not need to be as descriptive as the comic following the script, but must somehow be tied to the text. You are the co-author of the work, and not simply a designer that was paid for some imprint, Marvel or DC type.
After all, is to let the feelings flow naive and childish, expressing themselves more freely with the designs and colors, resulting in something that, most often, is overlooked by a more adult audience and critic.
Cledson Bauhaus: Still is the minimum threshold (laughs). I am an adventurer in the area and I am learning to write and illustrate kids beds my own projects. I do not have much contact with this professional publishing market, with the exception of some illustrators I admire the work and one time or another, exchange information via social networks or email. I need to extend my network, waiting for new opportunities.
My biggest relationship occurred between October 2012 and May 2013, an author of Mogi das Cruzes / SP. Illustrated kids beds a series of four children's books that would be published via Rouanet, but that did not work. Currently she has sought ways and partnerships for the project is ready, kids beds lacking only the editor's job. I was pleased to get the 4 puppets of books in hands. It was very tasty, but the biggest dream is to see the books, after published in the hands of the children kids beds and wheel readings. After all, it was made for them.
MRG: Despite the great difficulties that make some give up the publishing world underground, you come insisting produce or participate in fanzines. What motivates you to stay in this niche?
Cledson Bauhaus: First I would say it is because freedom. In every segment, there are rules about what sells and what does not sell. There is no way to be 100% business and run it. One minute you end up adjusting their work because of some market demand, the publisher, etc.. there are people who have great difficulty in this relationship. It is not my case, I am also a designer and understand the mechanics, but it is always very good you have control of it.
With independent, you can express something with more freedom. It is a widespread anarchist philosophy in punk, which came to me through music and fanzines HQ. It is often said "if you do not have a record label to release kids beds yourself, make yourself your recording, play back your CDs, create your channel of communication with the public, do not expect the mainstream media." Incidentally, this media nor interests most of these producers from the underground. kids beds
Today with the internet and free software is much more feasible to create their publishing space with much lower costs or nearly zero. Many people have staked these tools, for example, the e-book, web comics, blogs, social networks, among others. With this, people have emerged from anonymity and that is amazing. Do not expect the opportunity, but seeks to create his own opportunity with the effort. Already with zines and independent books, there are costs that need to be banked by yourself, and it becomes a great difficulty that few can surpass the first contact. Whatever the channel, it is necessary kids beds to make it happen and do not want to wait for the chance.
Cledson Bauhaus: "FRAGMENTS" (name of the exhibition) was held at the Young Station in São Caetano do Sul / SP, which is an area of the Department of Culture and Youth Council coordinate this city. The production was on my own with the support of friends in the assembly and dissemination. Likewise the publications I've ever done, the exhibition was held in the spirit of "do it yourself", is without