Bane Kerac, author of comics urban home and Lieutenant Tara Cat Claw "SBPeriskop urban home
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Branislav urban home Kerac was born in Novi Sad 7th rujna 1952nd year. Novi Sad sculptor Dejan Bešlin, family friend, in his earliest drawings saw a hint of talent and a young Bane gave the first instruction. Somewhere around the fourth grade of elementary school, he joined his Toza Obradovic, and together they copied it from a picture "graphic novels" and competed who would rather draw Reja Carson, Kansas Kid or Roj Renko. Tozu the fun did not last long held, but Bane persistently practiced trying to reach their first models (Foster, Dena Beriah Maseroa, Jesus Blasco, Sergio Tarquinia ... draftsman whose works published "Kekec", "Politika zabavnik" urban home and "graphic novel ")." Kish "edition" Comic-Strip "and Lykosov" Strip zabavnik "are familiar with Bane Yugoslav comic greats such as Becher, Radilović, Maurović, Navojev and Soloviev, a phenomenon magazine" Zenit "and prime Romitinog Derdevila have a fundamental influence on him. It's about time (67-68) when Bane began drawing "seriously" ink on thick paper with all the frames, balloons, sound effects and the "right" scenario.
That law "seriously" started 1975th, when Bane accidentally met in the Tozom (chances are they were ten years apart) and when after a long conversation on the pedestrian crossing decided to make a comic book, "Lieutenant Tara" urban home and offer it to the publishing house "Diary".
"What more serious," began in 1989. when the world-famous producer urban home Ervin Rustemagić assumed distribution Banetovih urban home autorsih comics. Under the auspices of Ervin company "STRIP ART FEATURES" CAT CLAW was hastily finished Scandinavian countries and appeared in a dozen countries around the world. Unpleasant events 1991st prevented the successful campaign in America (LA publishing house MALIBU issued urban home only 9 numbers) but even then Kerac acquired the status of a successful comic book author. In recognition of that status, Banet's offer came from Andreas Knigea, company urban home owner CARLSEN VERLAG to do a short strip of color album durch Bruch, issued on the occasion of the Berlin wall and simultaneously published in 14 languages. If you mention that the other participants of the project were Bill Gibbons, Enki Bilal, Moebius ... it can be said that Bane was in good company. Since the Kata three years in succession proclaimed the most popular figure of the Swedish magazine MAGNUM, it can be said that there is still *.
What are you in the youthful days were role models in the world and in Yugoslavia, and what you think of the work of Croatian comic by older generations Maurović, FURTINGERA, Jules and others.? Basically, Kekec and graphic urban home novel were crucial to like comics. Later I met Kish and StripStrip, and after that Zenit and Panorama (the latter Stripoteka). So, all the authors in these publications are more or less influenced me.
How do you see the subsequent affirmation Ivica Bednjanec since it proclaimed before trash? All who were at that time engaged in comics were regarded producers urban home Fiction. But those who were shouting against comics were characters worthy of attention. As for me, Bednjanec has always been the acknowledged master.
Do you cooperate urban home with the cartoonists and writers from Croatian? With that in particular, and how would you describe the relationship? Lately cooperate with Darko Macan, a couple of recreational projects, ie, him and me, well there we are dealing with something optional. To both of us uncomfortable, we would not have worked.
What do you think about the work of Croatian comic-author of the new generation, especially our Slavonian Mataković)? Poor'm familiar with contemporary productions. urban home Something over the forum, just over a fanzine. Matakovićev work I followed before ex-Yugoslav wars. In any case, his approach to comics is very different than mine so I'm not competent to comment urban home on it. That's what he's doing, obviously urban home works well and he must be in his mastery of the genre. urban home
How was your MAFEST in Makarska? And in Osijek? In a word, great. Lots of friends, lots of new friends ... It's really nice to meet up with normal people in all this chaos. Perhaps it would be more correct to ask how Makarska and its inhabitants were with me?
Do you agree with the statement Jules Radilović the greatest plague of domestic production (think of all the former state) is insufficient
Home Society and Politics Slavonski Brod Croatia World Culture and Entertainment Film Literature Music Fine arts Lifestyle Columns Stribor Uzelac Schwendemann Veljko Lukic Occupy SB Darius Mataić Agičić Peter Tot-Đerđ Sanja Pejic Rosko Clock SB Otto von Grunt Ilakovac Juraj Ivan Crnkovic Interview Business Sports Football Baseball urban home Basketball Athletics urban home Other Sports
The violence in Egypt, killing more than 50 people
Recognizing the temple SPC shares Montenegro
Confessions of workers: I watched ruin Fidelinka
Branislav urban home Kerac was born in Novi Sad 7th rujna 1952nd year. Novi Sad sculptor Dejan Bešlin, family friend, in his earliest drawings saw a hint of talent and a young Bane gave the first instruction. Somewhere around the fourth grade of elementary school, he joined his Toza Obradovic, and together they copied it from a picture "graphic novels" and competed who would rather draw Reja Carson, Kansas Kid or Roj Renko. Tozu the fun did not last long held, but Bane persistently practiced trying to reach their first models (Foster, Dena Beriah Maseroa, Jesus Blasco, Sergio Tarquinia ... draftsman whose works published "Kekec", "Politika zabavnik" urban home and "graphic novel ")." Kish "edition" Comic-Strip "and Lykosov" Strip zabavnik "are familiar with Bane Yugoslav comic greats such as Becher, Radilović, Maurović, Navojev and Soloviev, a phenomenon magazine" Zenit "and prime Romitinog Derdevila have a fundamental influence on him. It's about time (67-68) when Bane began drawing "seriously" ink on thick paper with all the frames, balloons, sound effects and the "right" scenario.
That law "seriously" started 1975th, when Bane accidentally met in the Tozom (chances are they were ten years apart) and when after a long conversation on the pedestrian crossing decided to make a comic book, "Lieutenant Tara" urban home and offer it to the publishing house "Diary".
"What more serious," began in 1989. when the world-famous producer urban home Ervin Rustemagić assumed distribution Banetovih urban home autorsih comics. Under the auspices of Ervin company "STRIP ART FEATURES" CAT CLAW was hastily finished Scandinavian countries and appeared in a dozen countries around the world. Unpleasant events 1991st prevented the successful campaign in America (LA publishing house MALIBU issued urban home only 9 numbers) but even then Kerac acquired the status of a successful comic book author. In recognition of that status, Banet's offer came from Andreas Knigea, company urban home owner CARLSEN VERLAG to do a short strip of color album durch Bruch, issued on the occasion of the Berlin wall and simultaneously published in 14 languages. If you mention that the other participants of the project were Bill Gibbons, Enki Bilal, Moebius ... it can be said that Bane was in good company. Since the Kata three years in succession proclaimed the most popular figure of the Swedish magazine MAGNUM, it can be said that there is still *.
What are you in the youthful days were role models in the world and in Yugoslavia, and what you think of the work of Croatian comic by older generations Maurović, FURTINGERA, Jules and others.? Basically, Kekec and graphic urban home novel were crucial to like comics. Later I met Kish and StripStrip, and after that Zenit and Panorama (the latter Stripoteka). So, all the authors in these publications are more or less influenced me.
How do you see the subsequent affirmation Ivica Bednjanec since it proclaimed before trash? All who were at that time engaged in comics were regarded producers urban home Fiction. But those who were shouting against comics were characters worthy of attention. As for me, Bednjanec has always been the acknowledged master.
Do you cooperate urban home with the cartoonists and writers from Croatian? With that in particular, and how would you describe the relationship? Lately cooperate with Darko Macan, a couple of recreational projects, ie, him and me, well there we are dealing with something optional. To both of us uncomfortable, we would not have worked.
What do you think about the work of Croatian comic-author of the new generation, especially our Slavonian Mataković)? Poor'm familiar with contemporary productions. urban home Something over the forum, just over a fanzine. Matakovićev work I followed before ex-Yugoslav wars. In any case, his approach to comics is very different than mine so I'm not competent to comment urban home on it. That's what he's doing, obviously urban home works well and he must be in his mastery of the genre. urban home
How was your MAFEST in Makarska? And in Osijek? In a word, great. Lots of friends, lots of new friends ... It's really nice to meet up with normal people in all this chaos. Perhaps it would be more correct to ask how Makarska and its inhabitants were with me?
Do you agree with the statement Jules Radilović the greatest plague of domestic production (think of all the former state) is insufficient
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